An exciting and high-powered virtuoso pianist, Michel Camilo came from a very musical family (with all nine of his uncles being musicians). Originally playing accordion, he switched to piano when he was 16. After moving to New York in 1979, his song "Why Not?" became a hit for the Manhattan Transfer and caught on as a standard, and "Caribe" entered the repertoire of Dizzy Gillespie. Camilo, who worked with Paquito d'Rivera's band for three years (cutting an album with "Why Not?" as the title cut), recorded for Electric Bird (sessions reissued by Evidence) and Columbia, and worked as a leader beginning in the mid-'80s. He has released numerous albums under his own name, including Spirit of the Moment in 2007. ~
Jazzwoche, Burghausen, Germany - 2008
MICHEL CAMILO(piano) CHARLES FLORES(bass) DAFNIS PRIETO(drums)
She is right up there among today's female jazz artists. A natural feel for the jazz classics which is obviously her passion including the bossa novas. This is a great introduction to Karrin's music. This concert in Spain finally gives Karrin Allyson the big-time recognition she has so long deserved. She has come fully into her own with this gorgeous selected songs from her differrent studio CD recordings.
Karrin's intelligent musicianship and pristine ear are evident throughout, and though her physical vocal range is rather limited, she surprises the listener with some of the most beautiful and perfectly placed high notes you're likely to hear on any vocal jazz recording. Her husky timbre will remind you of a sax at times, and if you would listen to every songs in this concert. You'll be amazed with her capabilities, every tune required an incredible amount of vocal skills. Karrin's emotional interpretations are sensitive and mature as well. Karrin Allyson is a great place to start - she has arrived, at last, into the upper echelon of the finest vocalists in the jazz business.
Ivan Guimarães Lins, 16th June 1945, Rio De Janeiro, Brazil.
Born in Rio de Janeiro, the son of a Naval engineer, Ivan (pronounced E-von) spent several formative years in Cambridge, Massachusetts, while his father completed graduate studies at M.I.T.
Relocating to his native Brazil, Ivan earned a degree and had a career in professional sports in mind before discovering his passion and natural talent for music.
Among his earliest compositions, 'Madalena,' was recorded by the legendary Brazilian artist Elis Regina and was an enormous hit in that country and throughout Europe.
In the early 1980's, the enduring love affair between American and Brazilian musicians took a new turn when it was announced that super-producer Quincy Jones was looking for a special Brazilian touch on an upcoming album for jazz guitar great George Benson.
It was percussionist Paulinho da Costa who introduced Quincy to Ivan's music.The result was 'Dinorah, Dinorah', a Lins original that was included on Benson's million-selling 'Give Me the Night'.Knowing a good thing when he heard it, Quincy tapped Ivan for his ground breaking album, 'The Dude'.The tune this time around was 'Velas', which gathered a Grammy for Best Jazz Instrumental Performance. While the two cuts served as an introduction for American audiences, they were only a sign of things to come.
Lins' material began appearing on a number of albums by top recording artists, among them Manhattan Transfer whose aptly titled 'Brazil', featuring two Lins originals, earned a Grammy for Best Jazz Vocal Album, while Quincy's own multi-Grammy-winning 'Back on the Block' highlighted yet another Lins composition, "Setembro".
More recently, trumpet player Terence Blanchard devoted the bulk of his new 'The Heart Speaks' to Lins compositions with Lins sitting in on piano and vocals.In 1987, Lins was recruited by producer Stewart Levine to work with crossover giants The Crusaders.The album, 'Life in the Modern World,' contained two Lins originals and set the stage for Lins' US debut.
The tracks featured were the title track and 'Some People Never Learn'. Working closely with producer Levine, Lins began writing with American audiences in mind, collaborating with lyricists Brock Walsh and Brenda Russell, among others. The result was 1989's 'Love Dance,' featuring Lins singing in English for the first time.
That album was followed in 1991 by another Levine-produced recording, 'Awa Yio' (roughly 'we go'), on which he returned to his native Portuguese. A superstar in his native Brazil, Lins' kind of music -- romantic pop, mostly -- has not typically been associated with the radical politics of many of his Latin compatriots.
He has appeared on Toots Thielemans' recordings of 'Brazil 1 and 2' and has appeared live with him. 'Anjo de Mim', his 1995 release in Brazil, has been repackaged for his American tour as 'I'm Not Alone' with the addition of the three new songs in English: 'I'm Not Alone (Who loves you?)', 'Remember Me' and 'You Came' with English lyrics by songwriters Will Jennings, Brenda Russell and Norma Winstone respectively.
Still earning tremendous international respect, Lins has been recorded by many American stars, including Ella Fitzgerald, Sarah Vaughn, Carmen McRae, Nancy Wilson, Patti Austin, Take Six, Lee Ritenour, Dave Grusin and Sergio Mendes.Like most Brazilian artists, Lins has had to deal with pressures from the Brazilian military regime of the last two decades.
Yet luck has been on his side, for he has never had a song cut out or censored. However, he admits that 'when you are suffering, your art takes on greater density.'
Smooth jazz group "Fourplay" performs in Tokyo, Japan 2008. These guys are exceptional players and masters of very smooooth jazz! Looking back at groups like the CRUSADERS, TOM SCOTT'S LA EXPRESS and various jazz funk fusion like Herbie Hancock, Larry Carlton's early solo records and even Steely Dan tracks. This smooth jazz band won't stop you from watching the whole concert. Perfectly executed snooze music, no more no less. Five stars for lovers of smooth Jazz. Full of ENERGY!
Personnel:
Bob James on keyboards Nathan East on bass and vocals Larry Carlton on guitars Harvey Mason on drums
James Taylor is a man from another era. Together with Joni Mitchell, Jackson Browne, Carole King, Cat Stevens and others, he used to impress with craftily written songs at the beginning of the 70s. But Taylor was something else; his voice truly grabbed you. That inviting, somewhat drawling, sonorous voice touched many a tender spot. Today, Taylor is still the same intelligent, cautious and warm man. Exactly like in his pictures and performances. In the 70s, he experienced some difficult times but he never belied his distinct style. The man from North Carolina has been very productive these last years and his latest outburst is his album Covers from 2008, which is filled with his favorite songs. Taylor is a superstar, but it isn't something he enjoys. 'I have a lot of good friends, such as Neil Young and Bob Dylan. They all say they dislike the fuss, but I know better than that. They thrive in the limelight; I only thrive with my guitar in my hands.' This time he brings along a line-up of pure top-of-the-bill artists, truly a Band of Legends. He is accompanied by the legendary drummer Steve Gadd, bassist Jimmy Johnson, keyboardist Larry Goldings and guitarist Michael Landau.
Line-up:
James Taylor (vocals, guitar); Caroline Taylor, Kate Markowitz, Arnold McCuller (vocals); Andrea Zonn (vocals, fiddle); Michael Landau (guitar); Larry Goldings (piano); Jimmy Johnson (bass); Steve Gadd (drums).
A unique, historic festival! The first edition of the North Sea Jazz Festival took place in 1976 in the Nederlands Congresgebouw in The Hague. Some numbers in those early days: six venues, three hundred artists and about nine thousand visitors. In this very first festival year internationally renowned jazz legends performed, such as Sarah Vaughan, Count Basie, Dizzy Gillespie and Stan Getz, as well as most Dutch avant-garde artists.
In the intervening years, the North Sea Jazz Festival has developed into a major international jazz event. Over the years the numbers have increased to: fifteen venues, approximately thirteen hundred artists and a visitors number that varies between sixty-five thousand and seventy thousand every year. Since 2006 the festival has found a new and more spacious location: Ahoy Rotterdam.
North Sea Jazz is known all over the world because of the many musical genres it has to offer, ranging from traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde jazz and electronic jazz; to blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. All of which are presented during a single weekend: 9, 10 and 11 July 2010.
Besides familiar names like Nat Adderley, Erykah Badu, Paul Anka, Steve Coleman, Miles Davis, Candy Dulfer, Ibrahim Ferrer, Ella Fitzgerald, Alicia Keys, Lionel Hampton, Al Jarreau, B.B. King, Wynton Marsalis, Herbie Hancock, Jamiroquai and The Zawinul Syndicate, the North Sea Jazz Festival also gives young talent a chance to make it on a major stage. Some names of artists who were introduced to a European audience: Shirley Horn, Tania Maria, Roy Hargrove and Rachelle Ferrell. The entire 3 day concert were nicely edited for shorter viewing and compressed into 2 dvd's. A rare oppurtunity to watch the gathering of the most influential jazz artists of todays modern jazz. This video was broadcasted in High Definition format through satellite viewing in Europe.
This is what makes North Sea Jazz so unique – a festival where for three days - the past, the present and the future of jazz music are presented, all under one roof.
The Manhattan Transfer group name comes from the 1925 novel Manhattan Transfer penned by John Dos Passos. The name Manhattan Transfer refers to the group's New York roots.
Two Manhattan Transfer groups were formed. The first Manhattan Transfer got together in 1969 and the second group was created in 1972. The only person in both groups is Tim Hauser.
The Manhattan Transfer song "Mystery" was covered by Anita Baker in her breakout album Rapture. In 1998, the Manhattan Transfer was inducted into the Vocal Group Hall of Fame.The Manhattan Transfer is well-known for mixing big band, jazz and popular music styles.
21 March 2009 Wackerhalle, 40th Internationale Jazzwoche Burghausen, Germany
Janis Siegel (vo), Cheryl Bentyne (vo), Tim Hauser (vo), Alan Paul (vo), Yaron Gershovsky (p), Adam Hawley (g), Gary Wicks (b), Steve Hass (dr)
In this video they performed a cut from Miles Davis album -TUTU
An exciting and high-powered virtuoso pianist, Michel Camilo came from a very musical family (with all nine of his uncles being musicians). Originally playing accordion, he switched to piano when he was 16. After moving to New York in 1979, his song "Why Not?" became a hit for the Manhattan Transfer and caught on as a standard, and "Caribe" entered the repertoire of Dizzy Gillespie. Camilo, who worked with Paquito d'Rivera's band for three years (cutting an album with "Why Not?" as t
he title cut), recorded for Electric Bird (sessions reissued by Evidence) and Columbia, and worked as a leader beginning in the mid-'80s. He has released numerous albums under his own name, including Spirit of the Moment in 2007. ~ 
